Tag: jazz phrasing

How Sonny Rollins Practices

How has the quarantine impacted your chops?  This no-gigs lock down has been absolutely disastrous for many working musicians financially.  But our chops don’t have to take the same hit our wallets are taking, if we’ll explore innovative approaches to practicing.

My practice strategy is similar to what Sonny Rollins described when asked how he practices.  Sonny said:

“I start out playing things I know to get the blood flowing.  Those things are often described as ‘clichés.’  You begin with the cliché so you can get the process in motion.  Once the process is in motion, ‘thinking’ gives way to ‘playing.’  At that point, you get out of the way and let the music play.”

Over the past decade, I’ve written down over a thousand licks I keep in a notebook, each of which I woodshed in all 12 keys.  Some of these ideas come from transcribed solos of the masters, but most simply emerge as I’m connecting with the horn.  Practicing joy.  I encourage you to try this technique, as it supercharges your chops, strengthens your improvisatory muscle, and turns you into a composer.

Here’s a lick you can play with, in order to get started down that path.  The tonal center of this phrase baffled my friends and me at first.  Eventually, I settled on a basic ii-V-I progression, which perfectly fit the melodic contour.  If you want more background, leave a comment at the bottom of this post.

To see a chart, click on “CONTINUE READING” below.

Continue reading “How Sonny Rollins Practices”

“Remember” Hank Mobley’s “Soul Station”?

HANK MOBLEY SOUL STATIONThe road to dynamic, expressive improvisation is paved with practice and listening.  Hank Mobley’s near perfect solo on Irving Berlin’s “Remember” from his classic LP “Soul Station” is filled with profound lessons on phrasing, rhythm, tone, melody, pacing, and development.  Here is just one of the great ideas you will encounter when studying this wonderful recording.

HANK MOBLEY REMEMBER BARS 15 AND 16As always, we recommend learning the phrase in all 12 keys.  Practice with the audio file found below. Continue reading ““Remember” Hank Mobley’s “Soul Station”?”

Jazz Articulation, Accents, and Proper Tonguing

Some saxophone & clarinet students have difficulty with jazz articulation, because they have not learned to tongue properly.  They begin each note with a constriction in the throat, which sounds as if the student were humming into the mouthpiece.  The beginning of the note is fuzzy and indistinct. Continue reading “Jazz Articulation, Accents, and Proper Tonguing”