If he’d survived, trumpeter Jack Sheldon would have turned 89 on November 30th, 2020. For one who never studied his recordings, it’s fascinating to watch a live video of his quintet in concert. The five musicians play in perfect sync, like a well-oiled machine, and they swing like crazy. Jack’s vocal style is instantly recognizable, and his trumpet sparkles with fiery assertiveness, crisp inventiveness, and unhesitating self-assurance.
The lick leading into the bridge of Jack’s solo especially knocks me out. Here it is:

There’s a dynamic shape to that melodic line and an infectious rhythmic vitality which combine to offer a wildly exciting listening experience. Equally impressive is Jack’s ability to infer fascinating harmonic curve-balls creating two deceptive modulations before settling onto the home key, as portrayed on the chart above .
Here’s that lick in all 12 keys.
A complete chart is provided below, if you want to woodshed this unique lick.
My friend Bill – an excellent trombonist – voiced his frustration after attempting the licks on my blog at full speed. I reassured Bill that I certainly do not begin by playing any of these licks at its ultimate pace. Here is the original tempo over which I started wood-shedding.
It took me several hours to get the lick up to tempo. With each new pass, you ratchet the metronome up maybe 3, 4, or 5 clicks until you reach your goal, and the most difficult note sequences require extensive looping in order to achieve smooth, effortless execution.
Here is Jack’s full solo:
As stated above, the band swings like mad throughout this entire performance. Here’s a link, if you want to listen to the whole cut.
Click on “continue reading” below to see a chart of the lick in all 12 keys.
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