Tag: changes

How to Create, Name, and Use Chords to Evoke Emotion and Make Music Come to Life!

C7 CHORDIn just 45 minutes, you can revolutionize your understanding of THE HARMONIC LANGUAGE Learn how chords are created, what notes they contain, how they’re named, and how they’re used to evoke emotion and make music come to life.   Quickly gain harmonic mastery and confidence which will set you apart as a composer or improviser.

Click here to watch this fascinating video on YouTube for free.

Pres says, “Sing me a song!”

Lester-Young-LIFE-1944

Let’s face it, we all want monster chops.  There are some great books out there to help develop technique.  I work constantly on mastering lix in all 12 keys, but I never play those lix on the gig.  That’s not their purpose.  The reason for practicing lix is to enhance your facility on the horn and expand your musical vocabulary.

But some of those lix get so obscure, I can’t even tell if I’ve made a mistake in transposing the lick to a new key.  That’s when I know the lick is too obscure!

I just got a killer deal on a great classic clarinet mouthpiece.   That inspired me to do some long overdue clarinet shedding.   I was trying to come up with a lick that felt melodic, one that would swing and sound lyrical, as opposed to clinical.

Let me know what you think of this one.

To see the chart for this lick in all 12 keys, press the “Continue Reading” button.

Continue reading “Pres says, “Sing me a song!””

Stan Getz Solo From “O Grande Amor”

The_Stockholm_ConcertLooking for a refreshingly novel approach to playing over a minor   ii-V-i ?   Here’s an idea by Stan Getz.  It’s from bars 15 & 16 in the first chorus of his solo over “O Grande Amor” from “The Stockholm Concert.”

B flat instruments start at line 1.  Concert key instruments start at line 3, and E flat instruments start at line 12.  (Double back to the beginning when you reach the end of the chart.)

STAN GETZ LICK FROM O GRANDE AMOR

STAN GETZ LICK FROM O GRANDE AMOR 2